(in design. OR in life.)
Ten years. Two cities. One Emmy.
I've designed the graphics millions of people see every day without ever knowing my name. Show branding at KARK4. Campaigns at Ann Taylor in New York City. Work that lives on screens, in stores, and on walls.
I care about clean type, strong ideas, and work that lands before anyone reads a word. Always learning. Always building. Never settling.
Graphics have maybe three seconds to land before the next thing takes over. I spent years designing for exactly those moments. Show branding that becomes part of a city's visual language. Promos that stop you mid-scroll. Work that showed up on screens across Arkansas every single day.
That was the job. Turns out I was pretty good at it.
Fast deadlines.
Live broadcasts.
Design that leaves the screen and shows up in real life. Signage, barricades, campaign collateral. The stuff people walk past without realizing someone made every single decision about it. At Ann Taylor, I learned that the best retail design is invisible. You don't notice it. You just feel it.
WALLS. WINDOWS.
IN REAL LIFE.